Monthly Archives: June 2009

An Original Lean

Via Gizmodo and BoingBoing Gadgets:

With Michael Jackson passing away yesterday, our media is saturated with all-things-MJ. I found one tidbit I care about – the trick behind the deep-lean dance move found in the “Smooth Criminal” music video.

Nope, it’s not that MJ and his dancers had super-strong shins. No wires, no suspension tricks. It’s an old-fashioned stage special effect. Straight up Houdini style. Gizmodo writes:

Trying to lean beyond one’s center of gravity normally leads to a giant, awkward step forward to retain balance, so to achieve the 45-degree angle he wanted, Michael and his dancers used special shoes as well as a trick in the stage floor. When the time came for the move, a peg-like aperture would protrude from the dance floor. The heel of the dancers’ shoes featured a triangular cut out that could be hitched onto the peg, anchoring the dancers to lean much farther forward, and thus blowing the world’s collective mind.

Genius! A cut in a shoe, a peg from the floor. Magic.

I had to dig up my Michael Jackson cassette collection last night:

I played each tape. I still know all the words. I also had to reminisce about how much Captain EO ruled / scared the crap outta me, as a wee kid at Disneyland, circa 1984-1993:

Fierce out fit, yo.

As a kid, I was always terrified by the Metal Queen – suspended from wires, woefully discontent, and rocking metal, long nails, she ordered wave after wave of guards against Captain EO. But then he would make them dance, after blasting them with some sort of Good People Plasma from his suit and changing their outfits to white outfits (um?). Her nails were terrifying. This was before I realized that metal, gothy outfits, suspension and long nails were totally fucking awesome.

…Angelica Huston! That is all.

My reaction to Michael Jackson is complex and hypocritical. I detest child molesters and could wish them all to peril, but I make an exception for Michael Jackson. Not a total exemption, because there is no way I condone his actions and crimes towards children. I just always wanted him to get help, to untie the knots of pain and suffering he obviously carried around and eventually took out on other people. But he never really got better, and I don’t think he was ever in a position to truly understand what he was and what he did.

Now that he’s gone, we definitely know what he did for us, as an international society. That is something to consider.

RIP Mr. Jackson.

(thanks Joyce, for the link!)

My Only Friend, The End

This shirt by Hometown Heroes (?? I’m unfamiliar with this label) is on sale at Urban Outfitters. Uh, I kinda dig it. Since it straight-up pulls inspiration / imagery from one of my fave artists, Ed Ruscha:

This version is my favorite Ruscha piece of all time.

I’m really into the  “The End” pieces he did. I even used this as my wordpress page icon:

Despite the hopeless devotion to The End by Ruscha, I’m not so sure about this rip-off shirt. Something about the execution makes it look too…Ed Hardy, not Ed Ruscha.  Gothic script on a t-shirt is overdone these days. Sad.

Inspirations: Production Design II

Quick inspiration list of production design – enjoy.

Midnight Cowboy

Production Designer: John Robert Lloyd

I absolutely love sets that naturally provide a split-screen visual.

A lot of information and action can happen with the right space.

I recreated this set for a college assignment, so I’m partial to it.

Best NYC shack out there.

L.A. Confidential

Production Designer: Jeannine Oppewall (HERO. She knows period filmmaking like no other)

Lynn’s luxurious front parlor. All the furniture seems over-sized, but the space itself is still huge.

Cramped, austerely brown records holding department of the LAPD. Complete with snazzy, smoking secretary. Beautiful early 20th century filing boxes…

Casino

Production Designer: Dante Ferretti (ALSO one of my heroes!)

I love the nesting tables under the mirror. Ginger and Ace are not the kind to give a crap about how many tables  they have in the end (they’re the  get-the-fuck-outta-Dodge-in-a pinch-and-fuck-the-tables kind of people), but they are prepared to have every size table on hand, just in case.

That yesNO sign behind Ace is an example of perfect set dressing.

Dynamic for being a 4 corner square space. With Dick Van Dyke steps. LOVE IT.

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Sex, Truth & Videotape, Part II

Here’s a film that successfully experiments and exemplifies Real Life Experience vs. Borrowed Experience from Media. Spoilers ahead. My preamble and disclaimer is that I have not watched the original Austrian FUNNY GAMES 1997.

Part II:

FUNNY GAMES U.S., 2007, Written & Directed by Michael Haneke

Starring Naomi Watts, Tim Roth, Michael Pitt, Brady Corbet and Devon Gearhart

Tartan / Warner Independent Pictures / Celluloid Dreams release

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MAD MEN x J.Crew

EDIT: MAD MEN is collaborating with BANANA REPUBLIC, not J. Crew.

This is based on early information / rumors. Sorry people!

I don’t believe this classifies as a rumor, since the source is one of the Higher Ups at MAD MEN / AMC.

Creatives at MAD MEN and J. Crew are collaborating this year to release a MAD MEN inspired clothing line for women and men, to promote the show and satiate many fans and 1960s style aficionados out there.

Personally speaking…my excitement level is into the RED. Exclamation mark goes here! YES!

I’m not a regular patron at J. Crew, but the few pieces I do own uphold the brand’s reputation of good quality, class and simple elegance. The partnership between MAD MEN and J. Crew seems like a good fit.

Since its premiere, MAD MEN fashion and interior (production) design have become an inspiration to many. The masterful, focused recreation of the early 1960s era is a revelation to current viewers. MAD MEN has become a reminder to all that Americans used to regularly pay attention to personal style and appearance, and chose garments that answered appearance needs before comfort needs. Comfort is great, but grossly overrated (please see: Crocs, ill-designed cargo shorts and pants, velour track suits, and the growing list of usual suspects of Ugly or Fugly.)

J. Crew is a great candidate for hosting the MAD MEN style in clothing. The brand has already released neo-vintage garments, and is easily accessible and affordable to Maddicts and gentiles alike.

Also, the collaboration with J. Crew obviously benefits MAD MEN in promoting the show, which, despite its popularity and rabid fans (like this one!), still isn’t pulling the rating numbers it needs to satisfy all studio heads / producers / number crunchers (party poopers, that’s what they are, heathens. Scoundrels. Evil…people).

Since creator Matthew Weiner’s position has been secured, fans can trust that he and his writers are maintaining creative control over the MAD MEN world and brand. They’re really picky about which commercial collaborations and product placements to put into the show. This discipline keeps the essence of the show intact. A clothing line is totally appropriate – fans are able to wear the MAD MEN-esque clothes they love and the TV show is smartly promoted to bigger audiences through a major clothing chain.

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